(This article is based on Indian Visual Artist Ritika Singh’s long-term project To Be Held Someday) It is said that grief is love with nowhere to go. It is

(An article based on South African Photographer Tsephiso Mazibuko’s long-term project There’s Always Someone Looking) Tshepiso Mazibuko’s photographs in There’s Always Someone Looking (Zulu: Awukho umdlalo ongena babukeli)

(This Article is based on an exclusive interview of Photography Educator, Faculty at Department of Photographic Design, NID Gandhinagar, Amarnath Praful with Indian DocumentaryPhoto Collective)

(This Article is based on an exclusive interview of eminent photographer, writer and educator Tom Griggs with Indian Documentary Photo Collective)

(This article is based on an exclusive interview of eminent photographer Prashant Panjiar with Indian Documentary Photo Collective)

“Never have masks been so present in our lives as today”. SKIN DEEP aims to showcase that tension – a photographic project by Nontsikelelo “Lolo” Veleko. She

I spent my childhood in a refugee colony. There I witnessed the hardship faced by refugee women. I saw my childhood friends becoming prostitute for survival.

I was born in China, while my partner, Chris, who is twenty years older, was born in the United States and later established his life and career

I visited Om Shantidhama multiple times over the course of one year, staying for a few days during each visit.

‘Luna Volta’ or a Portrait to an Unknown self- In Italian ‘Luna’ means moon and ‘Volta’ means ‘turn’. In poetry, Luna Volta is the turn of thought

In the Sundarbans of West Bengal, India, the story of a man’s endless wait unfolds many images. Every evening, he waits by the riverbank, hoping to spot

“This was not simply about one ruling, but about the message it sent: that control over our bodies could be debated, denied, dismantled.” These are not just

A society that is committed to a cultural construct is more vital today than at any point in our collective history. When one takes into account the